Sunday, 18 December 2011
Christmas Greetings to Richard Dawkins from the «other» Richard.
Monday, 7 November 2011
Do you have any more gems where that came from? Perhaps you could treat us to your personal exegetics concerning, ““Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me.” According to you, this would be blatant blasphemy, since my SELF is God, and Christ requires us to deny our SELVES.
If Fred should take up this challenge (I'm not holding my breath), here's what he might say:
What Jesus really meant was that we should put our false beliefs and unnecessary fears on the cross. Get rid of them. We must deny our erroneous concept of self in order to discover the power and joy of true Selfism.
Any bets?
Tuesday, 13 September 2011
Pump up the Spirit Chapter 1
Sunday, 5 September 2010
Pain
Pain may close my eyes to You
For pain can make me selfish;
Hurting seems a lonely place,
Where hope can seem so foolish.
"Lord, please take my pain away!"
Becomes my only prayer,
Sometimes shouted, sometimes wept
As if there's no-one there.
"Come into my Sanctuary,
There you'll understand.
Though still in the desert,
Behold! The Promised land."
I dared to open tear-filled eyes,
And as I looked around,
I saw that both my pain and I
Were now on Holy ground.
I knew then that the pain I felt
Would one day disappear,
And, knowing that, I suffered less,
As Love pushed out my fear.
"Lord, you gave my pain a sense,
As Your pain bought Salvation,
For in my pain I found your Grace,
- This is my Celebration!"
Not today...
They said "Look to the Cross" so I did.
But it didn't look the same today.
The Cross hadn't changed
But my eyes were seeing differently.
The Cross gave me no comfort
For today my heart would not be comforted.
An icy cloud of grief has numbed
All my Cross-sensitive emotions;
Yesterday it was the shape of Hope,
Today it is only geometry.
They said, "Read the Bible" so I did.
But the words were dry and empty.
The Bible hadn't changed,
But I was reading it differently.
They said, "You should pray to God" so I did.
But I couldn't find the right words.
Praying hadn't changed,
I supposed that God hadn't changed either,
But how was I to know?
They said, "Talk to a friend" and so I tried,
But on days like this, there are no friends,
Because on days like this
Words of comfort hurt so much
I have to shut them out;
Sympathy is maddening
And kindness just seems cheap.
They said "Well, we can't help you then, can we?"
And they were right.
But beyond Hope or Despair,
Beyond Joy or Anguish there is faith.
Today I can not feel it, or touch it,
Read it or hear it,
But one word reaches out
And draws it in for me - "Today".
This is only today.
Many of my days have resembled today
So I can have faith that tomorrow or perhaps
The day after, or even
The day after that (Who knows the day?)
That which was true yesterday
Will again be felt and seen as true.
God will not disappear because I close my eyes,
Nor will His word lose its power
Because I can not hear the author's voice.
No, today is not a good day.
But there again, I suppose,
Neither was that Friday.
Not a good day, Good Friday.
But then and now there were and will be
Happier tomorrows.
I believe that I believe that.
And perhaps faith is stronger
When all the proof has been dashed away.
And perhaps faith will be stronger...
But not today.
You may have to run with what you've got...
GREEN.
At the age of five, Mathieu wasn't what you could call an overly demanding child. He would be content if we simply bought him everything he asked for. And what he asked for depended on which of his friends he had seen that day. If Paul had a Dragon-ball Z sandwich box, then Mathieu just had to have a Dragon-ball Z sandwich box.
When Sébastien turned up one day with Cosmic Power roller-blades, Mathieu knew his days of walking were over - for ever.
That Sunday afternoon, however, our walk in the park started off as a relatively low-cost, overdraft-friendly outing.
It was one of those almost warm,early Spring days and the park was still a fairly safe place to take Mathieu. It would probably be fairly deserted, and the vendors usually didn't show up until the weather got warm enough to entice people out of their houses.
Not that Mathieu was ever tempted by the vendors, or the wares they usually peddled - giant, chrome-coloured, helium-filled balloons, guaranteed to carry your Granny off into the sky if you attached one to her arm, or bags of multi-coloured, life-threatening sweets that fizzed in the mouth with fierce, foaming, chemical intensity. But this was pre-vendor season - or so I thought.
So it was with a sort of blithe, innocent joy that we set off across the Park.
But, as you've no doubt guessed already, my innocence and joy were to be short-lived that day. As we rounded the band-stand, we came across one, lone vendor, a forlorn-looking man whose melancholy expression was explained by the absence of any wind. There was not even a breeze. And he was trying to sell made-in-China, aerodynamic, break-when-you-get-home, toy windmills on sticks.
Mathieu would never have given them a second look if he hadn't spotted his school-friend, Paul, running around in circles with one.
In spite of the lack of wind, he was hurtling around fast enough to make his windmill spin with a malevolent whirring sound.
"Daddy, can I have a windmill like Paul?"
"Sure, Mathieu, as long as I don't have to re-mortgage the house to buy one."
I left him staring spell-bound at Paul's dizzying performance and tentatively advanced a few paces towards the vendor, hoping to be able to read the price somewhere before getting too close
I saw "5 fr. 8 fr pour 2" scrawled on a piece of cardboard at his feet, and heaved a sigh of relief. The house was safe.
"What choice of colours do you have?" I asked him.
He looked at me as if I was intellectually disadvantaged, and with a disgruntled shrug, nodded towards the bunch of windmills he was holding. There was no choice of colours. They were all identical, sporting alternate blue and yellow sails.
When I cheerily announced, "Fine, well, I think I'll take one of the yellow and blue ones," he handed it to me and took my five francs without saying a word, perhaps hoping that if he remained silent I might just take my windmill and go away and leave him to concentrate on looking forlorn.
I went back to Mathieu and proudly showed him his blue and yellow, plastic windmill. He turned around towards me, grinning with anticipation, but his smile disappeared almost immediately, and large, father-torturing tears formed in his eyes.
"What's wrong, son?"
"I wanted a windmill like Paul's."
Without bothering to check up on Paul's windmill, I explained to Mathieu, "This windmill is exactly like Paul's. The man selling them had only one kind of windmill - they are all the same."
Mathieu continued to eye me reproachfully.
"No. It's not the same as Paul's. That one's yellow and blue. Paul's isn't."
I gazed around and saw Paul terrorising elderly strollers with his angrily droning windmill.
He seemed to be running even faster than before, creating a slipstream to make his windmill spin.
Surely he too had a yellow and blue windmill, I thought. When I spotted him, however, I immediately understood Mathieu's disappointment.
I bent down, and placed the stick of the windmill in my son's little hand.
"This is the one you wanted, Mathieu. It's only yellow and blue because you're standing still. If you run as fast as you can with it, it will be the same colour as Paul's - green."
Always take what you're given, even though you may have to run with it to get what you want.
The Nuthatch and the Piano Delusion

Nuthatch Matt: Hey, Flint, I've just seen something incredible. Absolutely amazing!
Nuthatch Flint: (peck-swallow-peck-swallow-peck-twitch-nervously-swallow). OK. But you'd better talk fast. The turtle doves are just over there, and they look rather hungry. Any minute now they're going to come over and throw us out. (peck-swallow-peck-swallow)
Nuthatch Matt: Well, you know that weird Morgan-plant that appears every morning and leaves a pile of seeds on the tray?
Nuthatch Flint: (peck-swallow-look-round-nervously-peck-swallow) Yeah?
Nuthatch Matt: Well, I just heard it playing the piano.
Nuthatch Flint: Piano? What are piano seeds like? Don't believe I've ever seen those. ((peck-swallow-peck-swallow-peck-twitch-nervously-swallow).
Nuthatch Matt: Well, you wouldn't. It doesn't produce seeds - it produces music.
Nuthatch Flint: Never heard of that. Music. What does it taste like?
Nuthatch Matt: It doesn't have a taste, Flint.
Nuthatch Flint: OK. So what colour is it. Black and white like these sun-flower seeds.
Nuthatch Matt: No, it doesn't have any colour either.
Nuthatch Flint: OK. I get you. It's like water - you can drink it, right?
Nuthatch Matt: No, no. In fact you can't even hold it in your beak...
Nuthatch Flint: You've been at the Neighbour-Plant's parrot food again, haven't you? I warned you they sometimes put weird seeds in there that give you weird ideas and see things that aren't there.
Nuthatch Matt : No, I swear I haven't touched anything like that today. As soon as I woke up, I came straight here, chased away a few cheeky coal-tits, and I was just getting down to breakfast, when the the Morgan-Plant appeared the other side of the window and he started playing the piano and making music.
Nuthatch Flint : You've been warned to keep away from windows. You know you can't always see them, but when you try to fly through them.... You could end up with a broken beak, for crying out loud.
Nuthatch Matt : Flint - the window was part open. I didn't try to approach the Morgan-Plant, but I saw and heard it making music?
Nuthatch Flint : OK. So it "made music"? What's that go to do with the price of maize?
Nuthatch Matt : Well, it was a very beautiful experience.....
Nuthatch Flint : But did it feed your gut?
Nuthatch Matt : Flint, no but....
Nuthatch Flint : Well, it doesn't interest me. And I'm warning you - if you go round telling the others that you've been wasting your time with stuff that you can't see, you can't eat or drink, you're likely to lose your place in the pecking order for the rest of the season. Music? Noise?
If you're interested in noise, go and stir up the magpies and the crows. You'll get all the noise you want.... But try to get it into your head - sure, the Morgan-plant has an exceptionally high seed-producing capacity but this has been verified by other, more experienced Nuthatches, evidence of the morning appearance of sun-flower seeds has been collected, collated, peer-reviewed - AND THAT'S ALL YOU NEED TO KNOW. Morgan-plant's sunflower seeds are a fact. Why do you need to add "muzak"?
Nuthatch Matt : Music.
Nuthatch Flint : OK, music, I'm telling you, this balcony is exactly as we would expect it to be if there were no piano, and no music. (peck-swallow-peck-swallow-twitch-head-stare)
Nuthatch Matt : Yeah... I suppose you're right.
Nuthatch Flint : Oh- oh! Watch out. Here come the turtle doves. (Flaps in a panic and disappears into the trees.)
Two turtle doves arrive, and without ceremony squat in the middle of the pile of sun-flower seeds.
Nuthatch Matt : Excuse me, Mr Turtle-dove - but have you heard the Morgan-plant playing the piano and making music?
Mr Turtle-dove : (plodding aggressively around the seed tray) Just clear off, ok? I'm busy eating, and you know what happens to nuthatches who interrupt me when I'm eating...? Yeah, head-first into the grease-ball and a quick invitation to the Neighbour Plant's cat. So scram while you can.
Nuthatch Matt : OK, OK, don't get your feathers in a twist. I'm off. Maybe the piano and music was just a dream after all.
Flaps away into the trees, and disappears behind the branches.
He will be back for sunflower seeds. They will all be back for sunflower seeds.
Never trust anything you can't eat, OK?
Rational thinking passes through the beak and and belly.
All the rest is fairy tales.
Through the living room window, the strains of Beethoven's Moonlight Sonata drift languidly out on to the balcony. The C-sharp minor arpeggios slip briefly in the the warm reassurance of D major without lingering for more than a brief moment, then lapse back into the heart-wrenching melancholy of the initial minor key, first holding us teetering on the brink of the dominant seventh with it's excruciatingly suspended forth, then dropping with an almost sickening, inevitable but abrupt plunge into the angst announced at the beginning.
Anyone for sunflower seeds?
